The performance colouration is de-saturated leaving it to be almost monochrome in appearance. This reflects the bleak nature of the song and also allows for there to be more of a contrast between the performance and narrative sequences.
Focusing on the editing, it is cut to the beat and is evidently in time. There is more screen time on the lead singer than anyone else in the band which suggests that he is the selling point of the band and that the record company deem him to be more important due to that factor so it is made a necessity that there is a higher focus on him than that of anyone else.
The song is off the album “Horrible Kids” and it was one of the three official music video releases for the album along with the songs ‘@Reply’ and ‘Horrible Kids’. The music video for ‘Horrible Kids’ is different in contrast to the videos for the other two as the colouration is much brighter and the tone of the video can be consider as being much more light hearted compared to the other two as well.
Focusing on the editing, it is cut to the beat and is evidently in time. There is more screen time on the lead singer than anyone else in the band which suggests that he is the selling point of the band and that the record company deem him to be more important due to that factor so it is made a necessity that there is a higher focus on him than that of anyone else.
The song is off the album “Horrible Kids” and it was one of the three official music video releases for the album along with the songs ‘@Reply’ and ‘Horrible Kids’. The music video for ‘Horrible Kids’ is different in contrast to the videos for the other two as the colouration is much brighter and the tone of the video can be consider as being much more light hearted compared to the other two as well.